Iben Nagel Rasmussen: transparency in the maturity

Autores

Palavras-chave:

Actor, Artistic Maturity, Laboratorial Dimension, Training, Acting

Resumo

Transparency is proposed as a quality that emerges from the career of the actress Iben Nagel Rasmussen, a representative of a laboratory dimension, of work on oneself in the European theater. An analogy is suggested between Han’s aromatic time and the quality of transparency. The artistic maturity of Stanislavski is a starting point to inquire about the meaning of the mature actor’s experiences, in light of the principles of the nô actor by Zeami. The quality of transparency in Rasmussen’s autonomy in relation to the Odin Teatret, in the creation of biographical performances, as well as pedagogical projects, and as a value to be cultivated in the contemporary scene is highlighted.

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Biografia do Autor

Priscila de Queiroz Duarte, Universidade Federal de Ouro Preto – Minas Gerais

Priscilla de Queiroz Duarte holds a Master's degree in Arts from the Federal University of Minas Gerais (UFMG), as a FAPEMIG Fellow, and a degree in Performing Arts from the Federal University of the State of Rio de Janeiro (UNIRIO). She holds a PhD in Arts from the Postgraduate Program in Arts at the School of Fine Arts of the Federal University of Minas Gerais. Actress and body designer, artistic co-director of the Diadokai Theater (since 1996).

Publicado

2019-07-11

Como Citar

Duarte, P. de Q. (2019). Iben Nagel Rasmussen: transparency in the maturity. Revista Brasileira De Estudos Da Presença, 9(3), 01–29. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/92889

Edição

Seção

Odin Teatret, 55 anos