Between Tale and Parody: Pina Bausch and her re-readings in the Brazilian academic research

Autores

  • Marcelo de Andrade Pereira (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil) UFRGS - Universidade Federal do Rio Grande do Sul - Porto Alegre - RS, Brasil

Palavras-chave:

Pina Bausch. Narratives. Research. Giorgio Agamben. Dance.

Resumo

The paper is a philosophical reflection from a survey of the academic production
carried through in Brazil on the work of the German choreographer Pina Bausch. This survey was
accomplished in digital platforms, comprising the period from 1988 to 2018, and included articles
published in journals, book chapters, books, dissertations and theses. Thus, the present investigation intends
to inquire in which way such approaches are close to Bausch's work, whether directly or indirectly. Concepts
of image, parody and tale are used to reflect, with the input of Giorgio Agamben and Walter Benjamin's
philosophy – in a collateral form –, on the paradoxes of the research at issue.

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Publicado

2018-06-23

Como Citar

Pereira (Universidade Federal de Santa Maria – UFSM, Santa Maria/RS, Brazil), M. de A. (2018). Between Tale and Parody: Pina Bausch and her re-readings in the Brazilian academic research. Revista Brasileira De Estudos Da Presença, 8(3), 441–468. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/83945

Edição

Seção

Pina Bausch

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