Pina Bausch in Brazil: fruit, costumes, happiness and Água

Autores

  • Gloria Luz Godínez Rivas (Universidad Veracruzana – Xalapa-Enríquez, Mexico) Universidad Veracruzana

Palavras-chave:

Dance-Theatre. Performance. Cannibalism. Body. Gender.

Resumo

This article approaches the work of Pina Bausch and the creative processes of the Tanztheater Wuppertal Company. The focus is on the work developed during her residencies in several cities around the world, a cartographic repertoire that provides a trans-border and trans-modern historical perspective from the stage. Through the analysis of several scenes of her Água (Water) piece (2001), and the stereotypes of pleasure, identity, gender and happiness, Bausch’s relationship to Latin America (especially Brazil) is described here as an exercise in cultural cannibalism.

Downloads

Não há dados estatísticos.

Publicado

2018-06-23

Como Citar

Godínez Rivas (Universidad Veracruzana – Xalapa-Enríquez, Mexico), G. L. (2018). Pina Bausch in Brazil: fruit, costumes, happiness and Água. Revista Brasileira De Estudos Da Presença, 8(3), 421–440. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/81974

Edição

Seção

Pina Bausch

Artigos mais lidos pelo mesmo(s) autor(es)