Pina Bausch and Café Müller on screen: the mise-en-scène of co-presence of bodies and closed eyes

Autores

  • Cristiane Wosniak (Universidade Estadual do Paraná – UNESPAR, Curitiba/PR, Brazil) Universidade Estadual do Paraná (UNESPAR) campus de Curitiba II - Faculdade de Artes do Paraná ; Universidade Federal do Paraná (UFPR)

Palavras-chave:

Pina Bausch. Café Müller. Cinema. Co-presence. Representation.

Resumo

This article addresses the issue of co-presence of dancing bodies in an excerpt of Café Müller by Pina Bausch through the cinematographic eye of Wim Wenders in Pina (2011). As a theoretical framework for this analysis, essayist and filmmaker Jean-Louis Comolli ‒ mise-en-scène, representation, co-presence ‒ and the film philosophy of difference as proposed by Gilles Deleuze are brought to scene. While shaping itself on relations with time, the empirical object of this analysis traces ruptures and refractions of images as power of representation. From the (im)perfection of the closed eyes in Café Müller to the (re)presentation in a false-raccord of a coalescent image: the eyes of a cinematographic montage as production of presence in dance.

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Biografia do Autor

Cristiane Wosniak (Universidade Estadual do Paraná – UNESPAR, Curitiba/PR, Brazil), Universidade Estadual do Paraná (UNESPAR) campus de Curitiba II - Faculdade de Artes do Paraná ; Universidade Federal do Paraná (UFPR)

Doutora em Comunicação e Linguagens (Estudos de Cinema e Audiovisual) pela UTP; Mestra pelo mesmo programa (PPGCOM - UTP). Professora Adjunta da UNESPAR - Centro de Artes. Leciona para os cursos de Bacharelado em Cinema e Audiovisual e Bacharelado e Licenciatura em Dança.

Publicado

2018-06-23

Como Citar

Wosniak (Universidade Estadual do Paraná – UNESPAR, Curitiba/PR, Brazil), C. (2018). Pina Bausch and Café Müller on screen: the mise-en-scène of co-presence of bodies and closed eyes. Revista Brasileira De Estudos Da Presença, 8(3), 469–486. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/81181

Edição

Seção

Pina Bausch