The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry

Autores

  • Ricardo Carlos Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil) UFOP - Universidade Federal de Ouro Preto
  • Priscilla de Queiroz Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil) UFMG

Palavras-chave:

Actor’s Craft, Interculturalism, Indian Classical Dance-Theatre, Kathakali, Orissi,

Resumo

This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the 20th century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of the word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective.

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Biografia do Autor

Ricardo Carlos Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), UFOP - Universidade Federal de Ouro Preto

Ator e diretor, formado na UNIRIO (1987), doutor em teatro pela Università degli Studi di Roma (2007), Professor Adjunto do Departamento de Artes Cênicas da UFOP (desde 2008).

Publicado

2016-12-30

Como Citar

Gomes (Universidade Federal de Ouro Preto ‒ UFOP, Ouro Preto/MG, Brazil), R. C., & Duarte (Universidade Federal de Minas Gerais ‒ UFMG, Belo Horizonte/MG, Brazil), P. de Q. (2016). The Dramaturgy of the Body in the Indian Theatre as a Visible Poetry. Revista Brasileira De Estudos Da Presença, 7(1), 154–183. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/69537

Edição

Seção

Dramaturgias do Corpo