PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing

Autores

  • Tania Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil) UNIRIO - Universidade Federal do Estado do Rio de Janeiro

Palavras-chave:

Performance, Relational Art, Somatic Experiencing, Socially Engaged Art, Public Spaces,

Resumo

The article proposes an enlargement of Pablo Helguera’s concept of socially
engaged art, used to describe artistic works that blur the boundaries between social project and
artistic project. From the analysis of the creation process of the performance “Bate-Papo na Cama”
(Bed Time Talking), which consists in putting my bed in public spaces of different countries in
the world, the article aims at thinking how the artistic practice can be intensified and deepened
by the resources offered by Somatic Experiencing (SE). The practice, developed by Peter Levine,
helps to think, design, and implement artistic border projects, not only between artistic and social
projects, but that blurs frontiers with therapeutic plans, whether individual or collective, generating
the concept of Relational Art Performance as Healing – RAPH.

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Biografia do Autor

Tania Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), UNIRIO - Universidade Federal do Estado do Rio de Janeiro

Performer e professora do Departamento de Atuação Cênica da Escola de Teatro da UNIRIO.

Publicado

2022-10-13

Como Citar

Alice (Universidade Federal do Estado do Rio de Janeiro, Rio de Janeiro, Brazil), T. (2022). PARC (Relational Art Performance as Healing - RAPH): performance and somatic experiencing. Revista Brasileira De Estudos Da Presença, 5(2), 396–412. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/54060

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