Truth on Stage, Truth in Life: Boal and Stanislavski

Autores

  • Antonia Pereira Bezerra (Universidade Federal da Bahia, Salvador, Brazil) Universidade Federal da Bahia

Palavras-chave:

Forum Theatre, Truth, Stage, Affective Memory, Physical Actions,

Resumo

In light of the
concept of scenic truth, this paper discusses the influences of the Stanislavski method in the
early experiments of the Arena Theatre of São Paulo, and also shows traces of the Russian
master’s principles in the Poetics of the Oppressed of Augusto Boal. The primary objective
of the article is to encourage the construction of Forum Theatre, which uses physical
rigor and Stanislavski’s psychological breakdown as points of departure. This work can be
developed as the actor’s internal logic during the phase that precedes the creative process,
before the intervention of audiences, and within professional staging of Forum Theatre
with more long lasting results.

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Biografia do Autor

Antonia Pereira Bezerra (Universidade Federal da Bahia, Salvador, Brazil), Universidade Federal da Bahia

 

Antonia Pereira Bezerra is an actress, playwright and researcher 1D of the National Council of Scientific and Technological Development (CNPq) in Brazil. She holds a PhD in Modern Languages from the University of Toulouse-Le Mirail (1994, 1999) and post-doctoral degree in Dramatic Arts from the University of Quebec in Montreal (UQAM) (2006). She is currently associate professor at the Federal University of Bahia (UFBA).

 

Publicado

2022-10-13

Como Citar

Bezerra (Universidade Federal da Bahia, Salvador, Brazil), A. P. (2022). Truth on Stage, Truth in Life: Boal and Stanislavski. Revista Brasileira De Estudos Da Presença, 5(2), 413–430. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/53371

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