Image: from the cinema to the performance

Autores

  • Carina Sehn Pós graduação em Educação UFRGS
  • Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)

Palavras-chave:

Performance, Image, Body, Cinema, Representation

Resumo

In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.

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Biografia do Autor

Carina Sehn, Pós graduação em Educação UFRGS

Pós graduação em Educação Ufrgs Linha da Filosofia da Diferença

Publicado

2022-10-14

Como Citar

Sehn, C., & Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil), P. (2022). Image: from the cinema to the performance. Revista Brasileira De Estudos Da Presença, 4(3), 551–568. Recuperado de https://www.seer.ufrgs.br/index.php/presenca/article/view/49044

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