Photography through the process files: reflections on the publication of the contact sheets

Autores

DOI:

https://doi.org/10.22456/2179-8001.80109

Palavras-chave:

Communication. Semiotics. Process Cristicism. Photography. Contact sheets.

Resumo

Based on the current recurrence of publications and discussions related to the materials of photographic creation process, this article presents an investigation on the contact sheets as an information material pertinent to the complexity of the making and, thus, thought in photography. Therefore, the analysis focuses on the contact sheets published in the books Magnum Contacts and Proof and the DVDs Contacts. The study took place under the theoretical perspective of the process criticism proposed by Cecilia Salles, which, based on Peircean semiotics, presents itself as a mean of perception of photography beyond the idea of product, enabling its understanding from the relations of interconnection and interaction between thought and materialities.

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Biografia do Autor

Camila Mangueira Soares

PhD in Communication and Semiotics (PUC/SP, 2016), Master in Communication and Semiotics (PUC/SP, 2010), Specialist in Communication and Image Theories (UFC, 2007). She has published articles and chapters in books, most recently, in Novas Formas do Audiovisual (2016) and artworks internationally exhibited, in places such as the London Pinhole Festival (London-En, 2017) and #Art16 (Porto-Pt, 2017).

Fabrício Mário Maia Fava, Pontifícia Universidade Católica de São Paulo

PhD in Communication and Semiotics at PUCSP, Master in Technology Intelligence and Digital Design at PUCSP, Specialist in Communication and Image Theories at UFC and Graduate in Advertising at UNIFOR. Currently researches and develops projects in the multidisciplinary context of creativity and design thinking, design for games-based experiences (ludic design and gamification) and motion design.

Referências

BARTHES, Roland. A câmara clara. Rio de Janeiro: Nova Fronteira, 1984.

BENJAMIN, Walter. Magia e técnica, arte e política. Obras escolhidas, v. 1. São Paulo: Brasiliense, 1994.

CARTIER-BRESSON, Henri. O instante decisivo. In O imaginário segundo a natureza. Trad. Renato Aguiar. Barcelona: Editorial Gustavo Gili, 2004.

CONTACTS, Vol. 1: the great tradition of photojournalism. Direção: Richard Copans & Stan Neumann. 2005. 1 DVD, color (156 min).

DUBOIS, Philippe. O ato fotográfico. Campinas: Papirus, 2009.

LISSOVSKY, Mauricio (2008). A máquina de esperar: origem e estética da fotografia moderna. Rio de Janeiro: Mauad X.

LUBBEN, Kristen (Org.). Magnum Contatos. Trad. Jorio Dauster. São Paulo: Instituto Moreira Salles, 2012.

MARSHALL, Jim. Proof. San Francisco: Chronicle Books, 2004.

SALLES, Cecilia. Gesto inacabado: processo de criação artística. São Paulo: Annablume, 2012.

SALLES, Cecilia.Redes de criação: construção da obra de arte. Vinhedo: Ed. Horizonte, 2006.

SANTAELLA, Lúcia & NOTH, Winfried. Imagem: cognição, semiótica e mídia. São Paulo: Iluminuras, 2008.

VIEIRA, J. A. & SANTAELLA, L. Metaciência: uma proposta semiótica e sistêmica. São Paulo: Editora Mérito, 2008.

Arquivos adicionais

Publicado

2017-05-18

Como Citar

Soares, C. M., & Fava, F. M. M. (2017). Photography through the process files: reflections on the publication of the contact sheets. PORTO ARTE: Revista De Artes Visuais (Qualis A2), 22(36). https://doi.org/10.22456/2179-8001.80109